What is the Mediterranean Diet? The exhibition answers this question by showing its multiple dimensions: the concept of cultural space and ancient Mediterranean lifestyle, an intangible cultural heritage passed down from generation to generation and its social and religious aspects, sacred foods and their symbologies, the products of the sea and land that support a diet of excellence recognized by the WHO – World Health Organization. The central focus is the territory and the multiple heritage of Tavira, the testimonies of the presence of civilizations of Antiquity, the cultural landscapes and products of the Ria Formosa, the productions of the barrocal and the mountains, the festivities and cultural practices that underlie the choice of Tavira as a representative community of Portugal in the application of the Mediterranean Diet to Intangible Cultural Heritage of Humanity presented in March 2012 at UNESCO headquarters. Films produced under the transnational application are projected and a kitchen space is recreated for information and experimentation activities, learning how to prepare and prepare food and culinary traditions.
Long-term exhibition where we can see archaeological remains from interventions in various parts of the city, dated in the majority of the century. XII. In addition to these materials inside the Islamic Nucleus, visitors will be able to observe a section of the Islamic wall that protected the citadel, visit the famous “Vaso de Tavira” and watch a video on the city’s Islamic history.
The exhibition CABRITA: FOUR SCULPTURES AND A SELF-PORTRAIT in Faro presents works from the Serralves Collection and unpublished works by the artist in three different locations in the city of Faro. With consolidated international recognition, Cabrita’s work became crucial to the understanding of sculpture from the mid-1980s. This exhibition brings together works by Pedro Cabrita Reis (Lisbon, 1956) belonging to the Serralves Collection and unpublished works conceived by the artist for this exhibition, which spreads across the city of Faro, covering three exhibition spaces: the Municipal Museum of Faro, the Associação 289 and Galeria Arco.
“ELOS DE OTHER LANDS” COLLECTIVE OF ARTS IN ALBUFEIRA Artists of different nationalities exhibit their creations in the exhibition “Elos de Outros Terras”, which will be on display at the Pintor Samora Barros Art Gallery, in Albufeira, from October 2nd. The variety of themes and the different levels of experimentation proposed bring new content and so far far from the radar of the Portuguese public. To see until October 28, from Monday to Friday, from 9:30 am to 12:30 pm and from 1:30 pm to 5:30 pm. Visit the exhibition and respect the safety measures in force in the county’s cultural spaces. They are works of thirteen artists from Portugal, Brazil, France, Luxembourg and Bahrain. The mix of themes is the wish of Eduardo Mansur’s curatorship, which brings together a heterogeneous cast, with variations ranging from abstract to surrealism. Most artists live and work far from urban centers.
Exhibition “Bringing the essential into being(s)” by Jens Mohr Inauguration: Saturday, August 01st from 03PM to 08PM Schedule: Monday to Friday, from 10AM to 06PM Patent: until October 02nd Local: LAC – Laboratório Actividades Criativas Free entry Reserve your presence for the inauguration day by sending an email to firstname.lastname@example.org with the following details: No. of people (max. 4), name of the people and time slot. Check this file for the available time slots: https://bit.ly/ExpoJensMohrLAC2020 Bringing the essential into being(s): “If someone asks me what the international artist Jens Mohr actually does with his art, I can only think of one answer: he makes “beings”. First of all, this has a tangible meaning: because what is created here is a host of literally peculiar, sometimes elusive, but always strangely familiar looking pictorial beings. The crucial point in Jens Mohr’s work on beings, however, lies deeper; it refers to the philosophical depth dimension of this “artistry of essence”: for the essence of a thing is the cardinal, the true, which of its own cannot be seen forthwith, but can express itself only in the embodied surface of things. The essence is at the same time that which as if from the […]
The Art Gallery of the Convento do Espírito Santo, in Loulé, receives, between September 18 and November 21, 2020, the exhibition “Casa de Carruagens”, curated by Francisco D’Oliveira Martins, Virgílio Canelas António and Maria do Céu D’Oliveira Martins Casa de Carruagens is a return to the past, it is a return to our memory of the land transport of that rural Algarve at the end of the 19th century and beginning of the 20th century. Some of these memories we will find alone inert in old dusty warehouses visited from time to time by a line of yellow light filtered through that narrow window that separates it from the present time. The inauguration will take place with the entrance conditioned to a maximum limit of 10 people at a time inside the space and the mandatory use of a mask 18 September to 21 November 2020 Tuesday to Saturday 10am – 4:30 pm
The rentrée of the academic year is also marked by the resumption of the programming of exhibitions at Galeria Trem with the curatorship of the degree in Visual Arts at the University of Algarve, with the support of CIAC, the Foundation for Science and Technology and the City Council / Municipal Museum from Faro. Ângelo Gonçalves, artist from the Algarve, a believer in the salvation of the world through art, a former student of the Visual Arts degree, opens the programming cycle with an exhibition of contemporary art, ESTANQUE. The inauguration takes place with the presence of the artist, on September 10, at Galeria Trem, at 6:30 pm. It will be open until the 12th of November. Schedules: Tuesday to Friday: 11:30 am to 6:00 pm Saturday: 10:30 am – 5:00 pm Closed on Sundays and Mondays
At SAND CITY you can travel with us on a Around the World in Sand across different continents and get to know their traditions, nature, history, art, culture, gastronomy, cinema, sport, music and all the imagery connected to travel and travelers
Vestiges of an ancient prehistoric settlement with megalithic funerary temples, built and used over several centuries, during the Chalcolithic period (3rd millennium B.C.), constituting a remarkable monumental ensemble. In the surroundings, natural cavities and crypts artificially excavated in the rock (hypogeus) were used, used at the same time as collective tombs. The monuments of the eastern grouping of the necropolis are museographed and can be visited. The monuments of the central tomb cluster are located on public grounds and are accessible to visitors. The remains of the Chalcolithic settlement and the other monuments are located on private properties, with access subject to the prior authorization of the respective owners.
Programmed as the main reference exhibition of the museum, occupying the industrial buildings of the previous factory building and spread over an area of about 1000 m2, “Portimão, Território e Identidade” represents a historical synthesis of the route designed by the local communities, since the pre -history to the present day, highlighting the most representative activities of economic, cultural and social life, divided into three routes.
The preserved industrial memory and the deep historical relationship with the Arade River and the Atlantic are the central themes of this route. Through it, the role of men and women in the most relevant economic activity in Portimão and the Algarve stands out, before the change to the new paradigm, the tourism industry. Departing from the factory space and in particular the refurbished “Casa de Descabeço”, the visitor is taken from the old auction room on the Portimão pier to the heart of the factories, following the process of manufacturing, packaging and promoting canned Portimão. It is divided into 5 cores: ** There is Fish on the Pier ** Between Whistles and “Mermaids” ** “Casa do Descabeço” ** Artes do Cheio, Artes do Voio ** Promotion – From Portimão to the World
In the former cistern at the Factory, where rainwater was collected and reused to feed the factory’s brine tanks and boilers, we now discover moving images of the underwater fauna and flora of the Arade River and the coastline of Portimão. In this same Cistern, in September 2013, the nucleus Ocean Revival – Portimão Underwater Park was installed, which made it possible for our visitors to follow on land what is going on underwater with the ships sunk about three miles from Praia de Alvor .