Long-term exhibition where we can see archaeological remains from interventions in various parts of the city, dated in the majority of the century. XII. In addition to these materials inside the Islamic Nucleus, visitors will be able to observe a section of the Islamic wall that protected the citadel, visit the famous “Vaso de Tavira” and watch a video on the city’s Islamic history. Location: Tavira Municipal Museum | Islamic Nucleus Monday to Friday: 09:30 – 16:30, Saturday: 09:30 – 12:30
Designed for all audiences, the exhibition allows the learning of the multiple dimensions of this heritage and its pedagogical exploitation by schools, in the areas of human health and nutrition. It results from the preparatory work for the Transnational Candidacy of the Mediterranean Diet to Intangible Cultural Heritage of Humanity, presented to UNESCO in March 2012, for which Tavira was chosen as the representative community of Portugal. This Candidacy involves not only our country, but also Spain, Italy, Greece, Cyprus, Croatia and Morocco in sharing a common civilizational heritage. Location: Tavira Municipal Museum | Gallery’s Palace | Monday to Friday: 09:30 – 16:30, Saturday: 09:30 – 12:30
The Order of Christ was created in 1319, by order of King D. Dinis, after the extinction, by Pope Clement V, of the Order of the Templars, one of the most famous Military Orders of Cavalry, founded in 1118, in the aftermath of the 1st Crusade. With a decisive role in the Reconquest period, in the military activity against the Moors and in the settlement of the territory, the Order of the Templars was also the owner of a vast patrimony that, by right, belonged to the Holy See, a fact that threatened the sovereignty of the king. With the pretext of defending the Algarve coast from attacks by pirates and Maghrebian pirates, D. Dinis manages to decree the creation of the new religious-military order. The 1st headquarters of the Order of Christ was then the Castro Marim Castle, with one of the most solid defensive systems in the entire Kingdom of the Algarve and located on the maritime border with Morocco and in the vicinity of the Islamic community of Granada. “Castro Marim, First Seat of the Order of Christ” is an exhibition approved under the Interreg Spain-Portugal Program 2014-2020, supported by the European Union, co-financed 75% by the […]
Using its own methods of torture, the Catholic Inquisition was responsible for thousands of deaths and barbaric acts against human integrity, which only served to cause excruciating pain and atrocious suffering to those who did not profess their faith. Throughout the exhibition you can find several replicas used to punish the condemned and that convey to us a little of the horrors committed in the dark period of the inquisition. * This exhibition was approved under the Interreg Spain-Portugal 2014-2020 program, supported by the European Union, 75% co-financed by the ERDF | project 0131_FOURTOURS_5_E.
April 19 to July 17 patent | 10 am – 6 pm (Monday to Friday) Location: Lagos Cultural Center – Room 1 Magalhães is a source of humor! In this unique exhibition to see, laugh and think, dozens of caricatures about the navigator are presented, which, 500 years ago, confirmed that the earth is round through its circumnavigation journey. In this amazing exhibition, a set of 70 caricatures from the Special Caricature Prize integrated in the 21st Porto Cartoon World Festival dedicated to this hero of the Discoveries are presented. The artists come from several countries such as Bosnia, Brazil, China, Egypt, United Arab Emirates, Indonesia, Iran, Kenya, Serbia, Turkey, and the winner of the 1st prize was the Portuguese artist Pedro Ribeiro da Silva.
April 19 to July 17 patent | 10 am – 6 pm (Monday to Friday) Location: Lagos Cultural Center – Room 2 and 3 Free entry “Art-Space-Architecture Interdisciplinary Dialogue – The greatest potential for human freedom lies in self-determined restrictions” It was at the Art Academy of Düsseldorf (Germany), in 1970, that Ernst Föll studied and had the pleasure of having as a teacher the artist Joseph Beuys, considered one of the most influential German artists of the second half of the 20th century. It was also there that he met the Fluxus Art Movement, a libertarian movement characterized by a mixture of different arts, originally in the visual arts and later also in music and literature. This movement was very active in the 60s and 70s. However, it was considered anti-art, since at that time the Fluxus movement went against the very object of art. Ernst Föll witnessed this artistic manifestation, as his teacher and another group of artists had a thought beyond borders. It is with this thought and learning that Ernst learned to see Art in a broader way, without barriers and with a lot of ambition. In his artistic career, poetry, philosophy and architecture play a […]
Patent from May 3 to July 23 | 9:00 am to 5:00 pm (Monday to Friday) Location: Former City Hall Free entry Collective exhibition resulting from the Artistic Residency Program of the Laboratory of Creative Activities (PRALAC), in the typologies of long and short term projects carried out throughout the year 2020, as well as showing some works that make up the LAC collection. The exhibition includes works in the field of plastic arts, architecture, painting, sculpture, design, video and photography installations, promoting and promoting their art. Participating artists / Fine arts: • António Pedro Correia (A. Pedro Correia) – plastic arts • Jorge Pereira – plastic arts • Madalena Campos – plastic arts • Raymond Dumas – sculpture • Rita Pereira (RoMP) – sculpture • Ricardo Lopes – ceramics • Alexandre Barata (Xana) – plastic arts Source: https://www.cm-lagos.pt/municipio/eventos/8735-exposicao-coletiva-pralac-lac-associacao-cultural-laboratorio-de-actividades-criativas
“WE ARE ALL THE COLORS” by the German ceramist and sculptor Hein Semke (1899-1995), will open on May 15th, the new cycle of temporary exhibitions at the Museum of Portimão, marking its 13th anniversary and also the Week of Interculturality. The exhibition reveals a set of works of painting, drawing, monotype, sculpture and woodcut of an enormous chromatic diversity, carried out by the artist in Portugal, between 1963 and 1976, previously selected from the collection of one thousand six hundred and seventy-two works Hein Semke’s original works, resulting from the exceptional and generous donation of Teresa Balté, to the Museum of Portimão. The multifaceted, experimental and colorful way of treating the face, body and human figure, especially the female, are the central theme of this new exhibition curated by José Gameiro, who also shows us the creative spontaneity and capacity for expression , humor, the pleasure of experimenting and challenging that accompanies the whole work of Hein Semke. Source: https://www.vivaportimao.pt/a-nao-perder/e-ainda/2201-somos-todas-as-cores-do-hein-semke
DATE AND TIME SUBJECT TO CONFIRMATION 3C is a workshop guided by choreographer Maurícia Barreira Neves that aims to give time and space to the exploration of tools for the creation and composition of performative objects. In this time and space, participants are asked to develop something individually or in a group, choose a theme, make a map of ideas, brainstorming, etc. The focus of 3C is to give participants an opportunity to understand how their creative process can be and how their creative being organizes creatively, both individually and in groups. Its target audience is students (M / 14) in dance, theater, music and the performing arts (professional and non-professional). Maurícia Barreira Neves, choreographer and performer, has produced her own creations of dance, performance, installation, and also music, also venturing into the area of costumes and lighting design in her creations. Formed by Chapitô and Escola Superior de Dança, she has presented her creations in Lisbon (CCB, Teatro Cornucipto e Negócios – ZDB), Serpa (Musibéria), Almada (Joaquim Benite Municipal Theater), Torres Vedras (Cine-Teatro), Portimão ( TIME – Municipal Theater of Portimão). Mauritius has been a constant presence at ENTRELAÇADOS.
Strategic partnership with the Group Dancing with the Difference (Madeira) ‘BICHOS is a show based on the work of the same name by Miguel Torga, which aims to address fundamental questions about society and existence itself. (…) Humanized animals or almost animalized humans, appear here in struggle with themselves, with the environment in which they live and with the Divine. Different in their particularities, these animals are all part of the same Noah’s Ark; mother land and place where everyone walks in an equal struggle for life and freedom. These are human dilemmas, but shared by both men and animals, in which Man is more of an animal among others and does not occupy a privileged place. ‘ Rui Lopes Graça Choreography: Rui Lopes Graça / World Premiere: 29/01/2016 / Songs: Evgeny Grinko; Við Vorum Smá; Ólafur Arnalds & Alice Sara Ott; Fátima Miranda Peter Masseurs, Riccardo Chailly, Ronald Brautigam & Royal Concertgebouw Orchestra; Philip Glass (Wendy Sutter; The Everdawn); Max Richter; Yury Gulyayev; France Missale & Thomas Helmore (Ragnhild og Jan Huse) / Sound design and costumes: Rui Lopes Graça / Light design: Nuno Meira / Technical support: Ricardo Martins / Masks: Robert Allsopp and Associates / Projection drawings: […]
DATE AND TIME SUBJECT TO CONFIRMATION Creation: Bruno Duarte Co-creation and interpretation: Bruno Duarte, Carlota Sela, Francisco Ferreira, Joana Puntel, Luís Malaquias, Mariana Romão and Raquel Tavares “Since I was a child, I have always been very fond of the images that I was fascinated to watch on television and that gave me to know a little about the winter customs of Trás-os-Montes – faces, rattles, devils, figures that always exercised a special magnetism over me. I saw in the creation of this show, an opportunity to explore scenically the crossing of the ritual sacredness of these ancestral celebrations, with a contemporary dance language.Situated between the sacred and pagan, ancestral and contemporary, human and supernatural, “Winter” seeks to transmit the magic that is he lives in these places at the time of the winter solstice, portraying the pulse of the land, the emancipation of young people, the street people, the attitude of transgression – but so governed by fixed practices – and the strong cultural mysticism. is alive, but also about memory. About that and those who once lived the places we experience today. ” Bruno Duarte “These are youth rituals, full of life and the future, through which all […]